Gobelin fabric, virgin wool & recycled polyester · 340 × 420 cm · 2024
Designed by Francesco Simetti, interpreted and realized by Giovanni Bonotto on a jumbo jacquard loom. Exhibited at Homo Faber 2024, Venice.
c'era una volta una guerra
Gobelin fabric · 2024
Gobelin fabric, virgin wool & recycled polyester · 340 × 420 cm · 2024
Designed by Francesco Simetti, interpreted and realized by Giovanni Bonotto on a jumbo jacquard loom. Exhibited at Homo Faber 2024, Venice.
tu fai "pum", e ridi;
Gobelin fabric · 2024
Printed ceramic slabs · Permanent installation · 2024
Site-specific permanent installation at Officine Saffi, Milan. Combines elements from Etruscan, Turkish, Greek, and Italian ceramic traditions, bridging geographical and cultural boundaries with natural landscape imagery.
Questa Stanza non ha più Pareti
Ceramic · 2024
Glazed stoneware · 45 × 38 × 7 cm, 44 × 40 × 8 cm · 2024
A pair of glazed stoneware works exploring mythological figures and the transformation of natural forms into ceramic surfaces.
Doris and Arethusa
Glazed stoneware · 2024
Glazed porcelain · 35 × 38 × 35 cm · 2023
A glazed porcelain sculpture drawing on classical river mythology, exploring the intersection of landscape, water, and mythological form.
Skamandros
Glazed porcelain · 2023
Glazed stoneware, enamel, velvet print · Pera Museum, Istanbul · 2023
Exhibition curated by Ulya Soley at Pera Museum, Istanbul. Features Temple (glazed stoneware and enamel), Social Pyramid (glazed stoneware), and Petting Wilderness (print on velvet, 354 × 130 cm).
Souvenirs of the Future
Mixed media · 2023
Mixed installation · XNL Contemporanea, Piacenza · 2022
Solo exhibition at XNL Contemporanea, Piacenza, curated by Paola Nicolin. Exploring relationships between natural imagery, cultural memory, and material transformation.
Come un limone lunare
Installation · 2022
Collage, ceramic, slide projection · Francesca Minini, Milano · 2021
Explores the fragility of air and water as fundamental life elements. Includes the sculptural group Muro — turquoise glass paste elements inspired by ancient civilizations, echoing the shields and body armor of modern police forces.
Terrestre
Collage & ceramic · 2021
Print on cotton · PANORAMA, Procida · 2021
Site-specific work curated by Vincenzo de Bellis replacing residents' clotheslines in Procida with digital fabric collages. Explores the relationship between humankind and nature through water imagery as both resource and existential threat.
Curling, arching, breaking
Print on cotton · 2021
Video animation, 5 min · Italian Consulate façade, NYC · 2020
Created during spring 2020 quarantine for Magazzino's Homemade program. Layered plant imagery explores how animals and plants began to reclaim spaces during human absence — an uncanny overlap between the natural and technological worlds.
Unrelenting
Video animation · 2020
Belgian unglazed stoneware · 90 × 48 × 35 cm · 2018
Installation with two totemic sculptures and three-dimensional collages, combining artist-sculpted leaves with pre-existing molds. The title derives from botanic morphology, referencing hooked leaf shapes. In collaboration with ceramist Aida Bertozzi, Museo Carlo Zauli, Faenza.
Uncinata
Belgian unglazed stoneware · 2018
Printed panels, tracks & robots · Open Source Gallery, Brooklyn · 2017
Motorized site-specific installation examining human environmental impact on the Gowanus Canal. Combines appropriated images from Brooklyn waterways with theatrical aesthetics inspired by puppet theater and Baroque automata. Uses ornament and subtext as instruments of political critique.
Swell
Printed panels & robots · 2017